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Throughout their career, one can make a lot of comparisons between CLAMP and Go Nagai. One of the top new shows for the year, it peaked with a 15.8% rating and also made it to number 3 in the Animage Grand Prix, behind the incumbents Yu Yu Hakusho and Sailor Moon. At its best it was a funny fairy-tale parody, but historically it's more notable as an illustration of the popularity of Sailor Moon. The show ran for 74 episodes and had a three-episode OAV spin-off after it finished. Other notable names directing multiple episodes of ChaCha included Tatsuo Sato ( Martian Successor Nadesico, Bodacious Space Pirates) and Hiroaki Sakurai ( Cromartie High School). This would include frequent collaborator, character designer Hajime Watanabe.

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This change in concept handily provided the show a load of trinkets and baubles it could sell as merchandise.Īkitaro Daichi ( Fruits Basket, Poyopoyo) made his start directing on this show as an episode director and would work with much of the crew from ChaCha on his first series director job the following year, Nurse Angel Ririka SOS. The anime is about the same thing, except ChaCha now had the power to turn into an armoured magical princess version of herself. Min Ayahana’s original manga ran in Ribon between 19 and was a fairy-tale parody about the red-hooded trainee magician girl ChaCha and the werewolf boy Riiya. Red Riding Hood ChaCha was the anime equivalent of Fred & Barney Meet The Thing, in the sense that it radically changed the concept of the original character in order to wedge in a magical transformation into a superhero. One of these series was built from scratch as an all-out multimedia assault, another was a radical revision of a manga to "Moon it up" for television, and the third was a parody of the genre. Three of the more popular series of the time can be argued to represent the influence of Sailor Moon, which was still going strong in 1994 with its third series, Sailor Moon S, starting in March. So what new shows were trying to get their voice heard this year? One reason why it may have been difficult for new shows to get a footing was that 1994 was the year that some of these established shows hit their peak ratings Dragonball Z, Kiteretsu Daihyakka, Tsuyoshi Shikkari Shinasai, Slam Dunk, and Yu Yu Hakusho all had their highest rated episodes during this year. These aired either side of Sazae-san and regularly got at least a 20% audience share. Finally, there were a couple of shows that have had little following in anglophone fandom, Kiteretsu Daihyakka (1988-96) and Tsuyoshi Shikkari Shinasai (1992-94). They all managed to get over a 20% audience share at various points in the year (with Dragonball Z doing it week in, week out). In addition, there were the monster Shonen Jump shows of the day: Dragonball Z, Slam Dunk, and Yu Yu Hakusho. There are series that are still ongoing today like Sazae-san (1969), Doraemon (starting in 1973, but airing since 2005) and Crayon Shin-Chan (1992).

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